September 16^th – 17^th

San Jose, California

Coinciding with the 01SJ Biennial this upcoming September 16–19, ZER01, the 01SJ Biennial producers will present GLOBAL WARNING: Artists, Scientists and Environmental Activism, a two-day symposium that will examine the interconnectedness of ideas and actions, and the current relationships between art, science and ecology.  Over the two full days of the symposium, a group of select artists, scientists and policy-makers, including noted author Dr. Kathleen Dean Moore and internationally renowned environmental artists Gail Wight and Buster Simpson, will present and examine case studies of scientific solutions to environmental issues and collaborative environmental art projects.

Public policy, urban planning, sustainable design and civic cultural development strategies serve as platforms for stimulating community dialogue. Symposium participants will be invited to help advance this cross-disciplinary enterprise through their active involvement in the dialogue.

Leading day one of the symposium, LEONARDO/The International Society for the Arts, Sciences and Technology will confront the critical challenges of the 21st century. Morning symposium sessions, highlighting environmental policy, will provide a context for the afternoon’s focus on artistic and scientific environmental practice. The day will start with a high-profile keynote speaker, Dr. Kathleen Dean Moore, (Editor/Author; Professor, Oregon State University: Why It’s Wrong to Wreck the World), followed by Gail Wright, providing an overview of the field of activist environmental art. Afternoon sessions include a discussion of science and public outreach by Dr. Peter Roopnarine of the California Academy of Sciences and a panel discussion moderated by Meredith Tromble (Artist/Author; SFAI Faculty) that places scientists and artists in conversation with one another and encourages open dialogue with the audience.

Day two of GLOBAL WARNING, co-hosted by the City of San Jose Public Art Program and the CADRE Laboratory for New Media, brings to light the role public art and artists can play in environmental activism, informed by urban planning, sustainable design issues and public policy.

The day will begin with feature presentations by the three teams selected to develop designs for the Climate Clock, a landmark public art project that incorporates Silicon Valley’s measurement, data management, and communications technologies to help people understand climate change while encouraging them to continue reducing their carbon footprint. Realized as a site-specific iconic installation the Climate Clock will be to be integrated into the expansion of the San José Diridon Station designated as the California High-Speed Rail Hub. An overview of the Climate Clock Initiative will be presented and complemented by artist team presentations of their design strategies prior to the beginning of their residencies in fall 2010.

Wrapping up the second and final day of the symposium, afternoon sessions will investigate how issues of public policy, urban planning, sustainable design, and civic cultural/economic development strategies can serve as a platform for public art and how public art can stimulate community dialogue about these issues of critical importance.

–end–

Can’t be there in person? No problem. The 01SJ Biennial will be broadcasting the GLOBAL WARNING symposium live via Ustream along with a facilitated discussion using Ustream’s Social Media capabilities. Login with your Twitter of Facebook accounts to join the conversation.

For a full list of participants and daily schedules please visit: 01sj.org.

GLOBAL WARNING is organized by ZER01: The Art and Technology Network, City of San Jose Public Art Program, CADRE Laboratory for New Media at San Jose State University and LEONARDO/The International Society for the Arts, Sciences and Technology, with additional support from Montalvo Arts Center.

CALENDAR EDITORS PLEASE NOTE:

What:

GLOBAL WARNING: Artists, Scientists and Environmental Action Symposium

When:

Thursday, 16 September – 9:00AM – 5:00PM

Friday, 17 September – 9:00AM – 4:00PM

Where:

San Jose City Council Chambers, San Jose City Hall

200 East Santa Clara Street, San Jose, CA 95113

Cost:

One Day Ticket – $15

Two Day Ticket – $25

More Information:

http://01sj.org/programs/symposium/

About ZER01: The Art and Technology Network

ZER01, a 501 (c) (3) nonprofit arts organization whose mission is to inspire creativity at the intersection of art, technology, and digital culture, is a platform for the exploration and presentation of work dealing with the critical issues of our time by some of the most creative minds in the world. And, as a result, is Silicon Valley’s best bet for creating a global cultural relevance for the region that mirrors the creativity and innovation for which Silicon Valley is recognized. ZER01 is the producing organization for 01SJ Biennial, North America’s newest and largest multi-disciplinary, multi-venue event of visual and performing arts, the moving image, public art, and interactive digital media. By creating pathways for both artists and technologists to come together in collaboration and act as catalysts for further technological and artistic advances, ZER01 fulfills a self-proclaimed mission, to stimulate corporate and public interest in the possibilities afforded by intersecting the arts and technology. For more information about ZER01, visit www.zero1.org.

Funding for ZER01’s 01SJ Biennial is provided by:

Visionary Sponsors: Adobe Foundation, Irvine Foundation, and the John S. and James L. Knight Foundation

Additional Sponsors: 1st ACT Silicon Valley, Applied Materials, Cisco Systems, Federal Trust Realty/Santana Row, Intacct, National Endowment for the Arts (NEA), and Target Corporation.

Curatorial Partners include:

Anno Domini, Anjee Helstrup MACLA/Movimiento de Arte y Cultura Latino Americana, San Jose Institute of Contemporary Art, San Jose Museum of Art, San Jose Museum of Quilts and Textiles, City of San Jose Public Art Program.

Key Partners for the 01SJ Biennial include:

The Banff New Media Institute at The Banff Centre, CADRE New Media Lab at San Jose State University, California College of the Arts, Canadian Film Centre New Media Lab, Catharine Clark Gallery, Children’s Discovery Museum, City of San Jose Office of Cultural Affairs, City of San Jose Public Art Program, Commonwealth Club, Creative Capital, DANM Program-UC Santa Cruz, EMPAC, Euphrat Museum, Eyebeam, Gray Area Foundation for the Arts, Leonardo, Montalvo Arts Center, MediaLAB Prado, Northern Lights.mn, Rhizome, Streaming Museum, Sundance Film Festival, Swissnex, Team San Jose, The Tech Museum, Natalie and James Thompson Gallery at San Jose State University, Togonon Gallery, San Jose Stage, SF Shorts, SF Fine Art Fair, Tech Shop, White Walls SF, Worth Ryder Gallery, University of California, Berkeley, Cinequest.

ZER01 receives additional support from:

Bank of America, William and Flora Hewlett Foundation, John S. and James L. Knight Foundation, The David and Lucile Packard Foundation, and individual donors.

In-Kind 01SJ Biennial Sponsors include:

AJA Video Systems, Bauer’s Transportation, The Fairmont-San Jose, Santa Clara Valley Transportation Authority (VTA), State Bank of India, Team San Jose, andYourTour.com

Where: Yerba Buena Center for the Arts, San Francisco, CA

When: Sunday, September 19^th

Time: 2pm–4pm

Collecting the Impossible

The history of computer-based art practice goes back to at least the 1968 Cybernetic Serendipity exhibition at the ICA in London, yet digital art is only now starting to attract the attention of collectors in greater numbers. Digital art milestones such as; Listening Post by Ben Rubin and Mark Hansen, the thrilling public spectacles of Rafael Lozano-Hemmer, and the break-through LED works of Jim Campbell have been collected by a few pioneer institutions and brave individuals, but these works and others like them can be daunting to collectors. They present new and unusual technical, legal, and maintenance obstacles that can inhibit collectors and thus the market and thus support for a whole class of artists.

Prominent collectors, critics, and artists on this panel will explore the historical dynamics of collecting digital art and building an art market for challenging work. They will discuss their personal experiences and professional opinions about the lessons to be learned to effect a robust collecting environment for the kind of remarkable work seen at the 01SJ Biennial and a very few other venues around the world.

Moderator:

Richard Rinehart, Digital Media Director/Adjunct Curator, Berkeley Art Museum & Pacific Film Archive

Collectors:

Jeff Dauber, San Francisco, CA

Dennis Scholl, Miami, FL

Gallerist:

Catharine Clark, Catharine Clark Gallery

Artist:

Lynn Hershman Leeson

Journalist:

Jason Kaufman, The Art Newspaper

____________________________________________________________________________

Panelist’s Bios

Catherine Clark

Catherine Clark is is owner and director of the Catharine Clark Gallery established in 1991, initially as Morphos Gallery. Clark was born in raised in San Francisco.  She earned a Bachelor of Arts degree with honors in Art History from the University of Pennsylvania, Philadelphia in 1990. She has guest lectured at universities, museums and other institutions throughout the United States and Canada. Between 1999 and 2002 she team taught a professional practices course at the San Francisco Art Institute with her husband, the artist, Ray Beldner. In 2006 she authored an essay for and edited the monograph, Ascending Chaos: The Art of Masami Teraoka 1966-2006, published by Chronicle Books. Clark is a member of the San Francisco Art Dealer’s Association, an advisory board member of SF Recycling & Disposal, Inc. and of San Francisco Arts Education Project.

Jeffrey N. Dauber

“I like to find stuff that’s a kick in the teeth,” says Jeffrey Dauber of his cutting edge art collection. With over 200 works by more than 60 international contemporary artists, Dauber’s collection is full of confrontational and challenging paintings, drawings, sculpture, prints, photographs, video and new media works. Artists in the collection include: Mickalene Thomas, Travis Somerville, Al Farrow, Hank Willis Thomas, Vik Muniz, Enrique Chagoya, Hung Liu, Barry McGee, Lincoln Schatz, Anthony Discenza, Alan Rath and Tony Oursler, to name but a few.

Dauber, who began collecting art in 1989, works in the high-tech industry and lives in San Francisco.

Jason Kaufman

Jason Edward Kaufman is known for his work as Chief U.S. Correspondent for The Art Newspaper. His criticism and reporting have appeared in The Washington Post, The New York Times, The Wall Street Journal, The Los Angeles Times and numerous other publications, including museum exhibition catalogues. He currently is a contributing editor to Art + Auction and editor of the on-line blog IN VIEW. (http://blogs.artinfo.com/inview).  A 2000-01 Knight-Wallace Journalism Fellow at the University of Michigan, he lives and works in New York.  You can visit his IN VIEW culture column at http://blogs.artinfo.com/inview/.

Lynn Hershman Leeson

Over the last three decades, artist and filmmaker Lynn Hershman Leeson has been internationally acclaimed for her pioneering use of new technologies and her investigations of issues that are now recognized as key to the working of our society: identity in a time of consumerism, privacy in an era of surveillance, interfacing of humans and machines, and the relationship between real and virtual worlds.

In 2007 a retrospective at the Whitworth Gallery in Manchester, Autonomous Agents, featured a comprehensive range– from the Roberta Breitmore series (1974-78) to videos from the 1980s and interactive installations that use the Internet and artificial intelligence software. Her influential early ventures into performance and photography are also featured in the current touring exhibition WACK! Art and the Feminist Revolution, organized by the Los Angeles Museum of Contemporary Art. Hershman Leeson is presently at work on a feature-length documentary about the revolutionary feminist art movement.

Secret Agents Private I, The Art and Films of Lynn Hershman Leeson was published by The University of California Press in 2005 on the occasion of another retrospective at the Henry Gallery in Seattle. Her three feature films Strange Culture, Teknolust, Conceiving Ada have been part of the Sundance Film Festival and The Berlin International Film Festival, among others, and have won numerous awards.

Work by Lynn Hershman Leeson is featured in the public collections of the Museum of Modern Art, the William Lehmbruck Museum, the ZKM (Zentrum fur Kunst und Medientechnologie), the Los Angeles County Museum of Art, the National Gallery of Canada, the Walker Art Center and the University Art Museum, Berkeley, in addition to the celebrated private collections of Donald Hess and Arturo Schwarz, among many others. Commissions include projects for the Tate Modern, San Francisco Museum of Modern Art, De Young Museum, Daniel Langois and Stanford University, and Charles Schwab.

Recently honored with grants from Creative Capital and the National Endowment for the Arts, she is also the recipient of a Siemens International Media Arts Award, the Flintridge Foundation Award for Lifetime Achievement in the Visual Arts, Prix Ars Electronica, and Alfred P. Sloan Foundation Feature Film Prize. In 2004 Stanford University Libraries acquired Hershman Leeson’s working archive.

Hershman Leeson is Chair of the Film Department at the San Francisco Art Institute, Professor Emeritus at the University of California, Davis and an A.D. White Professor at Large at Cornell University.

Richard Rinehart

Richard Rinehart is Digital Media Director and Adjunct Curator at the UC Berkeley Art Museum/Pacific Film Archive. He has taught digital art studio and theory at UC Berkeley in the Center for New Media and Art Practice departments and has been visiting faculty at the San Francisco Art Institute, UC Santa Cruz, San Francisco State University, Sonoma State University, and JFK University. Rinehart sits on the Executive Committee of the UC Berkeley Center for New Media and has served on the Board of Directors for New Langton Arts in San Francisco.

Rinehart also manages research projects in the area of digital culture, including the NEA-funded project, ‘Archiving the Avant Garde’, a national consortium of museums and artists distilling the essence of digital art in order to document and preserve it. Rinehart is a new media artist whose art works, papers, projects, and more can be found at http://www.coyoteyip.com

Dennis Scholl

Dennis Scholl is Vice President / Arts and Miami Program Director for the Knight Foundation, which he joined in 2009.  He is responsible for the foundation’s initiatives in South Florida, including the Knight Arts Challenge and took on an additional role in April 2010 as vice president/arts to develop a national cultural arts program for Knight.

Scholl has had a long involvement in philanthropy in the visual arts. Over the last dozen years, he was the founding chair of the Guggenheim Photography Committee, the Tate Modern American Acquisitions Committee and the Miami Art Museum Collectors Council. All of these groups raised funds and acquired contemporary art for their respective museums.

He has also been a board member of the Aspen Art Museum, the North Miami Museum of Contemporary Art and the chair of Locust Projects, an alternative art space.

Scholl has been a contemporary art collector for over 30 years. He is a founder of Betts & Scholl, which makes wine in France, Italy, Australia and Napa Valley. He is also the cultural correspondent for Plum TV, a resort-based television network with eight stations across the U.S. Previously he was a practicing attorney and a C.P.A.

Scholl graduated from Florida International University with a bachelor of business administration and the University of Miami with a juris doctor degree.

–end–

and now comes to Bay Area for West Coast debut

August 1, 2010 – Internationally acclaimed British artist Luke Jerram comes to the Bay Area for the 01SJ Biennial.  As one of the 100 plus 01SJ Biennial artists, Jerram’s  ‘Play Me I’m Yours’ project (http://www.streetpianos.com/) temporarily places 20 tuned and ready to play pianos throughout the city in a variety of public outdoor locations. The pianos will be installed in San Jose on August 29, 2010 and will remain in their public locations throughout the 01SJ (September 16–19).

Making street pianos appear in cities across the world, ‘Play Me I’m Yours’ is an internationally touring artwork by Jerram conceived of in 2008.  Located in parks, squares, bus shelters and train stations, outside galleries, markets and on bridges and ferries, the pianos are for any member of the public to enjoy and claim ownership of.

Reaching an audience of over 1,000,000 people worldwide, Jerram has installed 273 pianos in 11 different cities so far.

As it has moved from city to city, Jerram’s project has been picking up press like a hurricane picks up power over a warm ocean—including such prominent worldwide publications as Vanity Fair, BBC World Service, The Guardian, Wall Street Journal, ABC Australia, and NPR —and in the process has become a true art phenomena with broad public appeal.

The 01SJ Biennial is his next stop and the only appearance of the project on the West Coast.

Who plays the pianos and how long they remain is up to each community. Each piano acts as sculptural, musical, blank canvas that becomes a reflection of the communities it is embedded into. Questioning the ownership and rules of public space ‘Play Me I’m Yours’ is a provocation, inviting the public to engage with, activate and take ownership of their urban environment.

01JSpianos contains a map of where all the pianos will be in San Jose. The website is also an online space for the public to upload and share their films photos and stories.

Previous ‘Play Me I’m Yours’ cities include:

• New York 2010>
• London 2010 >
• Bath 2010>
• Barcelona 2010 >
• Bristol 2009 >
• London 2009 >
• Bury St Edmunds 2009 >
• Sydney 2009 >
• Sao Paulo 2008 >

• Birmingham 2008 >

*Luke Jerram will be in the Bay Area and available for interviews August 31st–September 5^th.

More info on Luke Jerram’s artistic practice available at lukejerram.com

More info on the 01SJ artists and events available at – 01sj.org

–end–

Madlen Zu-Zhen, 8848-1.86, 2005

Silicon Valley morphs into a playground that doubles as a laboratory in largest event of its kind in North America, September 16-19 in San Jose, CA.

June 23, 2010 San Francisco – Over 100 contemporary artists, musicians, engineers, designers, scientists—as well as data miners and marketers—will completely change the urban landscape of Silicon Valley with their talent and depth of field during the 01SJ Biennial, the nation’s largest biennial dedicated to the nexus of art, technology and digital culture.

Running from September 16 through September 19 in California’s Silicon Valley, this international cast of contemporary creators will display the fruits of their labors during the four days of the Biennial proper. In essence, the 01SJ curatorial team is unleashing the participants on San Jose’s buildings, sidewalks, underpasses, businesses, storefronts, and cultural organizations in order to turn the city into both a playground and laboratory.

Things are expected to get off to an electrifying start at the opening ceremonies when much lauded architect, designer and visual maestro David Rockwell literally wires city hall to its immediate environment and plugs in order for the building to be “played.”

Examples of the 01SJ Biennial’s international array of artists who are also agents of change determined to build viable prototypes of and for new worlds that have implications and applications for business include:

Natalie Jeremijenko – This engineer (and former professor at Yale) and contemporary artist will conduct an “Environmental Flight Clinic” installation that proposes solutions to restore wetlands, defuse the ongoing and alarming amphibian extinction and envision sustainable practices for recreational aviation that could act as a model for the commercial sector as well.

fabric | ch – International consortium bent on creating the world’s first artificial climate  to satisfy the metabolic and physiological requirements of human beings in an environment partially or completely removed from earthly influences: mediated reality, networks and netlag the disruption of the body clock, etc., etc.

Teddy Cruz – An award-winning architectural investigation into new modes of contemporary urbanism stressing mixed use and adaptation of existing structures thus not only making living environments more habitable, but upping ROI.

Kitchen Budapest – Beat Your Mouse Movement turns to data tracking and games in order to motivate the chair bound worker or executive to resist the pull of their sedentary environment. By tracking movements with their mouse and then tracking their steps and comparing the two streams of data, the end game is to generate better numbers through steps than accrued mouse mileage.

Andrea Polli and Chuck Varga: Using light sensors for real time visualizations, Particle Falls will take data from air sensors and turn it into dramatic visuals that illuminate (in this case) air pollution by turning the results into a huge, dramatic projection. Who knows, in the future, signage as we know it could be replaced by intuitive and reactive technology tailored to both individual and collective needs.

Rockwell Group LAB: Plug-In-Play – By networking a variety of reference points—including sidewalks, tables, light posts and recreational outlets—in San Jose City Plaza, designer and architect David Rockwell and his Rockwell Group aim to demonstrate how we can increase personal and public engagement in both our urban and immediate environments. Heightened engagement inevitably leads to heightened productivity.

Transgenic Mosquitoes of California: The Center for PostNatural History is dedicated to the advancement of knowledge relating to the complex interplay between culture, nature and biotechnology. What might selective breeding and genetic engineering engender when dedicated to the eradication of disease caused by mosquitoes?

More artist and installation info at http://www.01sj.org

–end–

About ZER01’s 01SJ Biennial

San Jose-based ZER01 has served as a catalyst and platform for the world’s most innovative artists since 2000. The nonprofit focuses on inspiring creativity at the intersection of art, technology and digital culture.

As producer of the 01SJ Biennial, a multidisciplinary, multi-venue event of visual and performing arts, the moving image, public art and interactive digital media, ZER01 has showcased the work of 350 artists from more than 40 countries using such media as GPS-equipped pigeons, interactive platform shoe devices, mobile phone and surveillance technologies.

A celebrated success in the region, the 2008 01SJ Biennial attracted 65,000 visitors and generated $15 million in economic revenue for San Jose. Between biennials–the 3^rd 01SJ Biennial takes place Sept. 15-19, 2010–ZER01 nurtures Silicon Valley’s cultural landscape with events such as the SubZERO Festival, produced in partnership with SoFA, which drew 10,000 people to downtown San Jose.

About ZER01: The Art and Technology Network

ZER01, a 501 (c) (3) nonprofit arts organization whose mission is to inspire creativity at the intersection of art, technology, and digital culture, is a platform for the exploration and presentation of work dealing with the critical issues of our time by some of the most creative minds in the world. And, as a result, is Silicon Valley’s best bet for creating a global cultural relevance for the region that mirrors the creativity and innovation for which Silicon Valley is recognized.  ZER01 is the producing organization for 01SJ Biennial, North America’s newest and largest multi-disciplinary, multi-venue event of visual and performing arts, the moving image, public art, and interactive digital media. By creating pathways for both artists and technologists to come together in collaboration and act as catalysts for further technological and artistic advances, ZER01 fulfills a self-proclaimed mission, to stimulate corporate and public interest in the possibilities afforded by intersecting the arts and technology. For more information about ZER01, visit www.zero1.org.

______________________________________________________________________

Funding for ZER01’s 01SJ Biennial is provided by:

1^st ACT Silicon Valley, Adobe Foundation, Applied Materials, Cisco Systems, Federal Trust Realty/Santana Row, Intacct, James Irvine Foundation, National Endowment for the Arts (NEA), and Target Corporation.

Key Partners for the 01SJ Biennial includes:

The Banff New Media Institute at The Banff Centre, CADRE New Media Lab at San Jose State University, California College of the Arts, Canadian Film Centre New Media Lab, Catharine Clark Gallery, Children’s Discovery Museum, City of San Jose Office of Cultural Affairs, City of San Jose Public Art Program, Commonwealth Club, Creative Capital, DANM Program-UC Santa Cruz, EMPAC, Euphrat Museum, Eyebeam, Gray Area Foundation for the Arts, Leonardo, Montalvo Arts Center, MediaLAB Prado, Northern Lights.mn, Rhizome, Streaming Museum, Sundance Film Festival, Swissnex, Team San Jose, The Tech Museum, Natalie and James Thompson Gallery at San Jose State University, Togonon Gallery, San Jose Stage, SF Shorts, SF Fine Art Fair, Tech Shop, White Walls SF, Worth Ryder Gallery, University of California, Berkeley.

ZER01 receives additional support from:

Bank of America, William and Flora Hewlett Foundation, John S. and James L. Knight Foundation, The David and Lucile Packard Foundation, and individual donors.

In-Kind 01SJ Biennial Sponsors include:

Bauer’s Transportation, The Fairmont-San Jose, Santa Clara Valley Transportation Authority (VTA), and YourTour.com

Media Sponsors for the 01SJ Biennial include:

Biennial’s opening ceremonies to be literally electrifying when much lauded architect, designer and visual maestro David Rockwell wires San Jose City Hall to its immediate environment then plugs it in and lets it play

June 10, 2010 San Francisco – ZER01: The Art and Technology Network’s 01SJ Biennial, themed around the idea of asking participants to ‘Build Your Own World’, has announced that its lineup will showcase over 100 artists from 21 countries including two Guggenheim Fellows, Amy Franceschini and Monica Haller.

The Rockwell Group will open the Biennial with Plug-in-Play, an urban scale installation, meaning one that can be seen from far away as a beacon, but experienced and interacted with close up. The idea is to blur the boundaries between the physical and virtual and create connections between people via the “shared moment” … and challenge what a connected city, or a city of the future might look like, by creating a new form of civic engagement.

Plug-n-Play will network a number of objects—some already existing like streetlamps and some (like tables and recreational attractions) placed by design—in San Jose City Hall Plaza and connect them to the building’s exterior via oversized theatrical plugs. Once the switch is thrown, those attending will be able to make the building respond to their actions in real time.

This 3rd 01SJ Biennial will take place September 16-19, 2010, in San Jose, CA., the heart of Silicon Valley. Multi-disciplinary and medium agnostic, this contemporary art festival focuses on the nexus of art, technology and digital culture. Curated by Artistic Director Steve Dietz, the 01SJ Biennial brings together a selection of artwork that not only changes the way a city looks, but changes how it responds to the behavior of its inhabitants.

Countries represented at 01SJ include: Australia, Brazil, Canada, China, France, Germany, Hungary, Japan, Latvia, Mexico, Nigeria, Phillipines, Portugal, South America, Spain, Sweden, Switzerland, Taiwan, the UK and USA.

Among the artists, engineers, designers, filmmakers, data-miners, architects and non-profit organizations and corporations are:

Amy Franceschini – was awarded the Guggenheim in 2010 in the category of Fine Arts
Monica Haller – was awarded the Guggenheim in 2010 in the category of Photography
Christopher Baker
David Rockwell and Rockwell Group
Rigo23
Blast Theory
Futurefarmers
fabric | ch
Teddy Cruz
Natalie Jeremijenko
Chico MacMurtrie
Luke Jerram
Tim Hawkinson
Grahame Weinbren

For a complete rundown on artists participating in the 01SJ Biennial go to http://01sj.org/art/artists

About ZER01: The Art and Technology Network
ZER01, a 501 (c) (3) nonprofit arts organization whose mission is to inspire creativity at the intersection of art, technology, and digital culture, is a platform for the exploration and presentation of work dealing with the critical issues of our time by some of the most creative minds in the world. And, as a result, is Silicon Valley’s best bet for creating a global cultural relevance for the region that mirrors the creativity and innovation for which Silicon Valley is recognized. ZER01 is the producing organization for 01SJ Biennial, North America’s newest and largest multi-disciplinary, multi-venue event of visual and performing arts, the moving image, public art, and interactive digital media. By creating pathways for both artists and technologists to come together in collaboration and act as catalysts for further technological and artistic advances, ZER01 fulfills a self-proclaimed mission, to stimulate corporate and public interest in the possibilities afforded by intersecting the arts and technology. For more information about ZER01, visit www.zero1.org.

Funding for ZER01’s 01SJ Biennial is provided by:
1st ACT Silicon Valley, Adobe Foundation, Applied Materials, Cisco Systems, Federal Trust Realty/Santana Row, Intacct, James Irvine Foundation, National Endowment for the Arts (NEA), and Target Corporation.

Key Partners for the 01SJ Biennial include:
The Banff New Media Institute at The Banff Centre, CADRE New Media Lab at San Jose State University, California College of the Arts, Canadian Film Centre New Media Lab, Catharine Clark Gallery, Children’s Discovery Museum, City of San Jose Office of Cultural Affairs, City of San Jose Public Art Program, Commonwealth Club, Creative Capital, DANM Program-UC Santa Cruz, EMPAC, Euphrat Museum, Eyebeam, Gray Area Foundation for the Arts, Leonardo, Montalvo Arts Center, MediaLAB Prado, Northern Lights.mn, Rhizome, Streaming Museum, Sundance Film Festival, Swissnex, Team San Jose, The Tech Museum, Natalie and James Thompson Gallery at San Jose State University, Togonon Gallery, San Jose Stage, SF Shorts, SF Fine Art Fair, Tech Shop, White Walls SF, Worth Ryder Gallery, University of California, Berkeley.

ZER01 receives additional support from:
Bank of America, William and Flora Hewlett Foundation, John S. and James L. Knight Foundation, The David and Lucile Packard Foundation, and individual donors.

In-Kind 01SJ Biennial Sponsors include:
Bauer’s Transportation, The Fairmont-San Jose, Santa Clara Valley Transportation Authority (VTA), and YourTour.com

Media Sponsors for the 01SJ Biennial include: 

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