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Takeaways, Sustainability Plan, What's Next

I am still astounded that we managed to actually build the portal, both the physical structure and its virtual realities in the space of a month.

Here is a short video documenting the entire project:

Portal to an Alternative Reality, John Craig Freeman, 2016. Edited by Jinglin Li.

One of the most important features of the ZERO1 American Arts Incubator model is the notion of sustainability. Each of the four small grant recipient teams were asked to develop sustainability plans to assure the work we started during the program would continue once I left Wuhan. In fact, the panel chose those proposals which held the most promise to become sustained projects.

I, too, have been busy developing a sustainability plan. I have been proposing a counterpart portal, somewhere in the United States, so that people could look through the portal and see China, and vice versa.

Throughout the twenty-eight days of the exchange, I was very busy running the program. Beyond the locations chosen by the small grant recipient finalist teams, I didn't get much of a chance to get out into the city to those locations which best represented my sense of the changing city of Wuhan. 

However, once the portal was unveiled to the public, and just a couple of days before I left for Hong Kong to present the results of the project at the International Symposium on Electronic Art, I managed to squeeze in an entire day with Yang Fan, Director of the China Endangered Culture Protector. I burned through all of the SD cards and batteries I had with me.

Jianghan Road, Hankou, Wuhan, China.Snow Prunus and Yang Fan of China Endangered Culture Protector.Former Russian tea merchant residence, Russian Concession, Old Hankou, Wuhan, China. Street Vendor, Old Hankou, Wuhan, China.

Various images from around Wuhan. Photos by John Craig Freeman.

I can now spend the rest of my summer research time processing this material into high quality, high resolution virtual and augmented reality scenes.

Portal to an Alternative Reality. Video by John Craig Freeman and Jinglin Li.

After much anticipation, Portal to an Alternative Reality was launched last night at the Arts Incubator program's Closing Ceremony and Reception at K11 art village.

Despite the rain, we had a strong turnout for the event. Joseph Zadrozny, U.S. Consul General in Wuhan, acted as Master of Ceremony.

Award Ceremony, Photo by John Campbell or Carlos Castellanos.

Jamie Dragon (Public Affairs Officer at the U.S. Consulate) and I handed out awards to the teams.

Incubator Teams clockwise from upper left, Team 4, Through Gate; Team 1, A Crow Drinking Water; Team 2, Wuhan Dazhimen Railway Station; Team 3, The Vanished Nanhu Airport, Photos by Zheng Fugui.

Teams being awarded. Photos courtesy of John Craig Freeman.

Webcast star Lian Lian 连连 returned to webcast live on Douyu.com at the Portal to an Alternative Reality reception. She had an impressive 6,092 live viewers.

Lian Lian webcasting live, Photo by Carlos Castellanos.

Webcast star Lian Lian. Photo courtesy of John Craig Freeman.

In his seminal short story from 1982 "Burning Chrome," William Gibson notably coined the term "cyberspace.” The concept was later popularized in his acclaimed debut novel, Neuromancer in 1984. I happened to be rereading Count Zero, the second entry of the Sprawl trilogy, Neuromancer being the first.

Another less written about concept that Gibson introduced in these books is the idea of sim-stem stars. Twenty years before anything like reality TV appeared, Gibson imagined people who would become famous by simply living their lives and broadcasting it. In Gibson’s world, the post-apocalyptic, the one-two combination of lowlife and high-tech shanties of the Sprawl, people don’t watch TV, they don’t even wear VR headsets. The sim-stem stars’ broadcast was wired directly into the audiences brainstem through a cybernetic port implanted just behind the ear, like a USB or SD card reader. Gibson uses the term “jacking in.”

Anyone can become a sim-stem, but having your eyes removed and replaced with a set of Zeiss Ikon implants, a combination of camera and live streaming device, is expensive. Thankfully Lian Lian is able to broadcast her life using a comparatively accessible and less intrusive bit of technology — a cell phone on a selfie stick.

Screenshot of Lian Lian with viewer data. Photo by Bu Shi.

Lian Lian's cell phone was just one of the many mobile devices in the room. Other attendees used their smart phones and tablets to view the community artist teams' augmented reality creations. In addition to plenty of iPads circulating within the crowd, we had a large plasma screen attached to an iPhone.

AR Screen, Photo by Zheng Fugui.

Here are some screen recordings of the teams' work:

Team 1, A Crow Drinking Water.

Team 2, Wuhan Dazhimen Railway Station.

Team 3, The Vanished Nanhu Airport.

Team 4, Through Gate.

Chinese social media is amazing and way different than what we're used to in the U.S. I am still getting a handle on it, but it feels like a great start to have 82 friends in Wuhan!

Screenshot of the Arts Incubator WeChat group, Photo by John Craig Freeman.

I still am utterly astounded that we managed to actually build the portal as planned, both its physical structure and its many virtual realities. It was a big idea which took the collaborative efforts of an entire city. Well, at least hundreds of people from across Wuhan - not exaggerating. I am very grateful and profoundly honored by everyone's hard work and commitment, and for welcoming me and the ZERO1 American Arts Incubator to the city. I will miss all of my new friends, but hope to return one day to this remarkable city. I shot this video of Kristy Shang and Bond Zhu on my last day at the K11 studio.

A community panel was assembled to judge the presentations by workshop participants. The panel consisted of:

  • Yiyi Elizabeth Wong, Associate Professor Hubei University of Economics
  • Carlos Castellanos, Assistant Professor, Digital/Experimental Media, Department of Art, Kansas State University, Artist in Residence K11 
  • Summer Xia, Senior Editor, Sina Hubei (Media)
  • James Dragon, U.S. Consulate General Wuhan
  • Bu Shi, Assistant Manager, K11 Art Projects Department

The Augmented Reality Workshop participants produced six very thoughtful proposals by six very diverse teams. Four of these proposals were selected as finalists by the community panel:

Team One is proposing a city-wide project titled A Crow Drinking Water, which uses Augmented Reality (AR) to document and respond to the loss of three quarters of Wuhan’s lakes to land reclamation and development.

Team One

Team One members presenting. Photo courtesy of John Craig Freeman.

Team members include Xiaoxin Wang 王晓新, Penghui Lai 赖鹏晖, Xiaoting Gan 甘逍婷, Chenqiang Zhou 周陈强, Zhang Zhou 周璋, Qingxi Wang 王清茜, and Shanshan Zeng 曾姗姗.Team one presentation

Team One presentation content.

Team Two will investigate the history of the original Wuhan Dazhimen Railway Station, a beautiful French style building from the 1920’s which was once the most modern and important railway station in China, and helped to shape Wuhan’s image as a transportation hub. The building stands abandoned today and the group is proposing a kind of AR museum, accessible from the street.

Team two presenting

Team two presenting. Photo courtesy of John Craig Freeman.

Team members include Wu Jun 吴君, Yin Chuang 尹闯, Li Ziwei 李子威, Zhao Mengdi 赵梦迪, and with consultation by Chen Yong 陈勇.

Team Two presentation

Team Two presentation content.

Team Three will focus on the site of the former Wuhan Airport in Wuchang in their project titled The Vanished Nanhu Airport. Although the flight control building is still extant, it has been redeveloped as part of a sprawling housing development. Indeed the former runway is a traffic congested street artery which, if all goes as planned, will one day have period planes taking off and landing on it again, at least virtually.

Team Three presenting. Photo courtesy of John Craig Freeman.

Team members include Zheng Fugui 郑富贵, Deng Fugui, Cao Xiaoli 曹晓黎, Yao Leyue  姚乐月,  邓佩, Deng Pei, and  Liu Fan  刘凡.

Team Three presentation content

Team Three presentation content.

Team Four will continue the portal gate concept in their project, Through Gate, to include creating a network of portals connecting the institutions and students at several of the important universities in the city, which all have gateway entrances. 

Team Four presenting

Team Four presenting. Photo courtesy of John Craig Freeman.

Team members include Yuetong Wang 汪玥彤, Zhuojun Hu 胡卓君, Feng Xiong 熊峰, Peng Liu 刘鹏, Yaming Wang 王娅茗, Tian Meng 孟天.

Team Four presentation content.

Everyone that was not part of a finalist team was invited to join one. We have scheduled individual meetings with each of the four teams this coming Tuesday, to answer questions about the contract, sign it, distribute the first installment, and discuss the next step of their projects during the implementation and engagement phase of the Incubator. 

Each team will distill their idea to be represented at the portal gate in the courtyard of K11 Art Village for exhibition on May 7th. At that point, the teams should have the skills they need to complete the larger concept on location throughout the city and sustain the results of the American Arts Incubator program after I leave.

I arrived in Wuhan on Thursday, April 14th. The trip was long, but I was anxious to get the project underway so on Friday we got the production team together at the K11 Art Village to hammer out some of the details and plan for the weeks to come.

Importantly, the test of the GPS location in the courtyard where the portal will be built proved a success. Here are a couple of screenshots:

Screenshot of AR test on location.

Screenshot of AR test on location.

We hope to get the construction of the portal moving ahead in the next couple of days. Here are the final plans:

Portal to an Alternative Reality: PlansPortal Gate: Building PlanPortal Gate: Parts/Materials ListPortal Gate: Augmented RealityPortal Gate: Viewing Device Portal Gate: Mediation

I am settled in now and things are moving forward! The Opening Ceremony and Artist Talk took place Sunday April 17th at the Wuhan Art Museum and the Augmented Reality Workshops got under way Monday April 18th. We seem to have generated significant buzz in the community. So exciting to have it happening after months and months of preparations! We had 53 participants the first day which thinned down to about 35 five regular attendees.

Through a series of exercises, particpants are learning how to create geo-located augmented reality. Geo-located Augmented Reality allows people to experience alternative realities at site-specific locations. The public can simply download and launch a free mobile app and aim their devices’ cameras at the surrounding physical place. The application uses location detection technology  to superimpose virtual objects, people or scenes at precise GPS coordinates, enabling the user to immerse themselves in the work as if they existed in the real world.

Augmented Reality Workshop

Augmented Reality Workshop

Community participants include faculty and students from the Hubei Institute of Fine Arts, the Central China Normal University, the Wuhan Textile University and other community members at large.

Each participant will be given wall space and a projector in K11’s exhibitions gallery to prepare poster style proposals for the micro-grant competition. On April 23rd the public will be invited to a community exhibition event where a panel review will be conducted to choose the four micro-grant recipient finalist teams.

During the implementation and engagement phase of the project, four micro-grant recipient finalist teams will be dispatched out into the city to create their own augmented reality scenes that document those parts of the city which best represent their sense of the change.

The resulting virtual work will then be placed at the precise GPS location of the portal gate in the courtyard of the K11 art village.

During the ZERO1 American Arts Incubator orientation meetings, it became apparent that there will likey be support to build a counterpart portal for an exhibition at Fort Mason Center for Arts and Culture here in San Francisco! People will be able to look through the American portal and see China, and vice versa.

Andy Quitmeyer, Sara Dean and Erin O’brien at Fell Street AirBnB, San Francisco, January 28, 2016.

Test of augmented reality scene Woman in Fuchsia Jacket, from Wuhan at Fort Mason Center, January 27, 2016. Freeman.

Test of augmented reality scene Street Vendor from Wuhan at Fort Mason Center, January 27, 2016. Freeman.

Test of augmented reality scene Street Vendor, from Wuhan at Fort Mason Center, January 27, 2016. Freeman.

If you have access to any late mobile device and would like to view the work on location at Form Mason Center, I have created a quick set of instructions below.

Instructions:
• Install the free Layar Augmented Reality App, http://layar.com
• Scan this code
• Consult the map for a portal near you

Justin Hoover, the Creative Director of the Fort Mason Center, was able to verify that the augmented reality scenes from Wuhan I placed before my departure were indeed there and working.

Before we were due downtown for the morning meeting on Wednesday, January 27th, Sara Dean (a fellow AAI Artist) and I managed to steal a few minutes to walk up to my old neighborhood at Haight and Masonic, where I created an avatar of her in the context of the street corner. So now I have virtual reality of San Francisco to place in the courtyard of K11 in Wuhan, where the portal will be built, to complete the conceptual opening of the virtual portal.

Sara Dean, Haight and Masonic by johncraigfreeman on Sketchfab

Avatar Sara Dean at Haight and Masonic, San Francisco, January 28, 2016, Freeman.

Just prior to the Uber arriving, I was able to knock out another virtual scene in front of the Airbnb where the Arts Incubator artists are staying for the week, with all but Beth Ferguson present.

Andy, Sara and Erin, Fell Street by johncraigfreeman on Sketchfab

Avatars Andy Quitmeyer, Sara Dean and Erin O’Brien at the Fell Street AirBnB, San Francisco, January 29, 2016, Freeman.

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