Open house for “Lima 2100: Collective Resilience through Adaptive Urbanism” in the virtual Museo de Arte Contemporáneo (MAC Lima) gallery, created and curated by Gabriel Kaprielian exhibiting work of American Arts Incubator — Peru artists (2020).
It’s been a little over a month since the American Arts Incubator — Peru (AAI Peru) program was completed. Reflecting back on the month-long exchange, the global pandemic and virtual format did not dampen the enthusiasm and brilliance of the participating artists. Instead, it challenged us to adapt and respond to the moment, framed by the past, while projecting onto the future. Meaningful connections were made, ideas and knowledge were shared, and amazing new artwork was created. By all accounts, the program was a huge success! Thanks to the dedication of many wonderful people that made this possible.
I led four workshops that introduced technology platforms, theoretical frameworks, encouraged discussion, and led to short exercises applying these tools with artists' ideas. Workshop 1 involved a collective “Psycho-geographic Mapping” of Lima using a virtual whiteboard canvas. In Workshop 2, artists created “Postcards from the Future” that showcased speculative visions of Lima in the year 2100. Workshop 3 introduced tools for digital 3D modeling to create a collaborative “Monument to the Pandemic.” Workshop 4 demonstrated the use of augmented and virtual reality to visualize the artists' work.
There were two guest speaker panels that introduced further discussion on the social challenge of urban development in Lima, focusing on the themes of climate change, social equity, and urban health. The first panel was centered around public space and included Dr. Patricia Kim (Monument Lab), Dr. Ghigo DiTommaso (Gehl Architects), and Lucía Nogales (Ocupa tu Calle). The second panel focused on socially-responsive artwork and included Nicolas Gomez Echeverri (MAC Lima), Natalija Boljsakov (UTEC), Ferran Gisbert (UTEC), and Kiko Mayorga (UTEC).
For the last ten days of the program, each artist created new artwork responding to the theme, “Lima 2100 – Collective Resilience through Adaptive Urbanism.” These works took the form of 2D collage, audio and video, and digital 3D forms. I was amazed by the creativity and thoughtfulness of each project and the passion each artist demonstrated in developing their work in such a short amount of time.
Artists presented their artworks and concepts to a guest panel where they received outside feedback. The final exhibition was originally planned to take place in the Museo de Arte Contemporáneo (MAC Lima). Instead, we created a virtual reality gallery in Mozilla Hubs of MAC Lima with a curated exhibition of each artist’s work. This was the first time we were able to gather in the same "room," walking around and chatting, viewing the artwork as a collective project.
I want to give a big thank you to all of the participating artists, our partners in Lima including UTEC, MAC Lima, and the U.S. Embassy, as well as our guest speakers and panelists. This program has introduced new ideas and understanding in my creative practice and expanded my ecosystem of collaborators. I am grateful for the opportunity to have taken part in AAI Peru.
Since the tragic killing of George Floyd on May 25, our staff have been in deep listening mode — thinking and discussing internally how to most effectively act in solidarity with the Movement for Black Lives in the pursuit of racial justice.
We continue to mourn the incessant violence enacted by police on the unarmed bodies of black citizens such as Breonna Taylor, Tony McDade, Rayshard Brooks and so many more. As our collective resistance grows, we are witness to the tactics of intimidation, escalation, and excessive force used by agents of the state against protesters. The broader systemic failure of these publicly funded agencies, allegedly tasked to serve and protect, is being laid bare.
We affirm that there will be no justice in this country until we acknowledge that all black lives matter and we begin to reshape our institutions in support of that belief. The scope of policing must be reduced, while the reach of social services, health care, education, and cultural activities must grow. The coming reinvestment in communities will require a critical anti-racist approach, if we are to move together towards justice.
As a nonprofit organization at the intersection of art, science, and technology, we acknowledge that the nonprofit industrial complex, the arts sector, the production of scientific knowledge, and the development of technological innovation are all embedded within oppressive systems that have perpetuated white supremacy. As an historically white-led institution, we carry a legacy of privilege that must be examined, unpacked, and reorganized in order to move forward in service of equity and justice. Working with media artists who are experimenting with emerging technologies and new tools, our work is fraught with technological fetishism and obsession with novelty. With our gaze oriented towards the future, we can either blindly pursue creative innovation in service of inequitable resource accumulation, or we can choose to apply our creativity to reimagine a more just, inclusive world. Our call to action is clear.
We have begun a strategic planning process that will provide a framework for change in our organization, taking into account contemporary conditions: the growing momentum of the movement for racial equity in our home communities and the localization of activity due to the pandemic. As we embark on this work, we commit to the following actions:
As members of our community, we rely on your perspective and collective wisdom to guide us in our work. We invite your comments and reflections on the work we have done and the proposed actions above. Please be in touch and share your thoughts so that we may refine our efforts.
All AAI Brazil projects can be experienced at www.aaibrazil.com
The entirety of this experience, from beginning to end, is something I will cherish and continue to be inspired by as I go forward in my art practice. From the relationships forged on the ground to my amazement of the vision and voices of the participants, and for our entire team’s resilience and creative pivoting in response to the pandemic, I am forever grateful.
When I arrived in Belo Horizonte, there was a charge in the air. It was something that was hard to pin down in the moment; it felt like a fire inside. After talking with people, learning their stories and their struggles, as well as their similarities to people I knew back home, the urgency to amplify the humanity in our shared experience burnt in me like a beacon. Whatever was to be created in this short time we had together had to transcend convention, and inject a much-needed narrative into the often cold landscape of art and technology — breathing life into it.
There were a lot of meaningful exchanges and experiences along this journey, but the ones that really stood out to me were the events that inspired us to create portals for healing — and to witness the participants embrace and overcome the challenges of creating team-based virtual experiences while in physical isolation.
Upon my arrival in Belo Horizonte, Francisca of our host partner JA.CA, took me to the opening of a new exhibition entitled "VAIVÉM," which showcased the work of Indigenous Brazilian artists and the narrative of the hammock.
There, I met an Indigenous artist and healer named, Iba, who sang traditional healing songs and linked those songs to the murals he had painted on the walls. I talked with him in my native language and he talked in his; we were laughing at the similarities in our creation stories and symbologies, and he told me his work was entirely about building gateways for healing, or portals. We laughed again, because that is exactly what my practice was/is and what I wanted to create during the incubator.
Needless to say, the participants took every tool and every opportunity that was presented to them to tell their stories, and they delivered. Watching their rapid progression from learning 3D scanning, projection mapping, augmented reality, and finally virtual reality, was simply incredible.
The teams' abilities to seamlessly incorporate these tools into a very human experience on a completely unfamiliar platform was beyond anything I could have expected. When it was all said and done, we augmented a new, uncharted digital landscape with reality and humanity. Life was breathed into each project — life that will outlive our own.