All AAI Brazil projects can be experienced at www.aaibrazil.com
The entirety of this experience, from beginning to end, is something I will cherish and continue to be inspired by as I go forward in my art practice. From the relationships forged on the ground to my amazement of the vision and voices of the participants, and for our entire team’s resilience and creative pivoting in response to the pandemic, I am forever grateful.
When I arrived in Belo Horizonte, there was a charge in the air. It was something that was hard to pin down in the moment; it felt like a fire inside. After talking with people, learning their stories and their struggles, as well as their similarities to people I knew back home, the urgency to amplify the humanity in our shared experience burnt in me like a beacon. Whatever was to be created in this short time we had together had to transcend convention, and inject a much-needed narrative into the often cold landscape of art and technology — breathing life into it.
There were a lot of meaningful exchanges and experiences along this journey, but the ones that really stood out to me were the events that inspired us to create portals for healing — and to witness the participants embrace and overcome the challenges of creating team-based virtual experiences while in physical isolation.
Upon my arrival in Belo Horizonte, Francisca of our host partner JA.CA, took me to the opening of a new exhibition entitled "VAIVÉM," which showcased the work of Indigenous Brazilian artists and the narrative of the hammock.
There, I met an Indigenous artist and healer named, Iba, who sang traditional healing songs and linked those songs to the murals he had painted on the walls. I talked with him in my native language and he talked in his; we were laughing at the similarities in our creation stories and symbologies, and he told me his work was entirely about building gateways for healing, or portals. We laughed again, because that is exactly what my practice was/is and what I wanted to create during the incubator.
Needless to say, the participants took every tool and every opportunity that was presented to them to tell their stories, and they delivered. Watching their rapid progression from learning 3D scanning, projection mapping, augmented reality, and finally virtual reality, was simply incredible.
The teams' abilities to seamlessly incorporate these tools into a very human experience on a completely unfamiliar platform was beyond anything I could have expected. When it was all said and done, we augmented a new, uncharted digital landscape with reality and humanity. Life was breathed into each project — life that will outlive our own.
I’m writing this blog post in the midst of final preparations for my journey, as I leave wintry Chicago en route for summertime in Belo Horizonte, Brazil! This will be my very first trip to Brazil, and my first ever visit to South America. I’m excited to meet the partners on the ground, get settled in, and make some waves with the 25 participants we selected for this Incubator. We’ve chosen an extremely talented and diverse cohort of artists, technologists, and architects from within Belo Horizonte to participate.
For this implementation of AAI, we’ll be addressing the social challenge of economic inequity through a workshop series I’ve developed for this entitled — “Augment Earth: Embedded Futures,” where we’ll be creating extended reality portals around the city as a generative seed of discourse for equity and collective futurity.
As an artist and architect based here on my ancestral lands, my practice revolves around notions of Indigenous Futurism and its tangible manifestations. I recently contributed to the Chicago Architecture Biennial, where I was invited as their first Native American architect. I created a projected augmented reality installation of a burning hut entitled, “Hayo Tikba (The Fire Inside)” dedicated to Indigenous mound building civilizations and their living descendants that were forcibly displaced in the creation of virtually all U.S. cities east of the Mississippi River.
I’ve also been conducting recent explorations in holographic reanimations of ancestral craft, like in my installation “Transmissions,” populating galleries and institutions in different applications referencing the different forms of Indigenous craft respective to geographic location.
For this series of workshops in BH, I’m really looking forward to activating portals throughout the city: portals of thought, experiential interactivity, knowledge, and hope through the many narratives and talents of our group.
Our incubator will culminate in an open house and panel discussion where we will activate portals in and around our host site, the Banco do Brasil Cultural Center of Belo Horizonte, alongside our host partners JA.CA and U.S. Embassy Branch Office Belo Horizonte.